"THE MORNING ROUTINE"
Have you ever done stop-motion? Now imagine doing it on 35mm and not being able to see if you actually got it until you develop the film = terrifying.
We averaged about 3 seconds for every hour of shooting. So imagine a massive crew all being told to find a seat and not move a muscle for an hour at a time while the actor moved himself, frame by frame, and we snapped away on a decades old Arriflex camera with a super jerry-rigged timelapse mechanism attached to it.
Go big or go home.